A Job and a Film

In an abandoned industrial warehouse only one presence remains alive: a security guard who observes reality from a solitude and intimacy at the edge of the human. There has also appeared a framing, a camera, the viewer's gaze. When they found each other, the security guard with the possibility of making art, myth of his life, and the camera with a protagonist, something to film, begins a symbiotic relationship in which one discovers the possibilities of the other. Inevitably, this situation tends to become a movie, a fiction if you will, where the security guard, absolute protagonist, will be suffocated by his own story.